Tuesday, 27 November 2012
Monday, 26 November 2012
Regional Identity- Doc Martin
Within this extract of Doc Martin, regional identity is presented by the four main areas of filming; Mis-en-scene, camera angles, editing, and the use of sound.
In the first shot we see a low angle sink shot; it’s dark, and dull, with old run down furniture. The camera then pans up the characters, revealing themselves; the plumber, the son, and Doc Martin. Instantly we see that the composition is a '3 shot', and the doctor is towering over the other characters showing higher authority and has a shallow focus on the doctor. Although the Doctor is higher in authority anyway, it really accentuates this, and makes it more prominent. The big plumber is also slightly higher in position to his son.
With the lighting Doc martin is slightly lit with the natural lighting peeping through the curtains. The diegetic sound reveals that the characters are not equal by their accents. The plumbers are strong Somerset accents, whereas the doctor has Standard English, and is spoken with diction. The scene is extremely long, and doesn’t cut until 21 seconds. This portrays that the conversation is dragging, and droning on, and is boring.
In the next shot, the plumbers son says ‘unless it came from the old asylum in town or it could be a literary reference’ this changes the way we perceived this character, he is well educated but then his father brings him down by saying ‘what are you on about boy?’ It’s condescending and patronising, therefore brings the education barrier down, and makes him look a fool.
When the plumber tweaks the wrong part on the sink the water starts to gush out. After this incident happened, the cuts are faster and the pace becomes quicker because of the straight cuts.
The scene becomes complicated and there are many distractions, with the digetic sounds of water, the Doctor swearing, the phone ringing and shouting. A strike of panic waves across the scene.
The scene becomes complicated and there are many distractions, with the digetic sounds of water, the Doctor swearing, the phone ringing and shouting. A strike of panic waves across the scene.
Thursday, 15 November 2012
Tuesday, 13 November 2012
Hustle-Gender Essay
In an extract of the TV drama Hustle, gender is presented in
different ways with stereotypes. In TV dramas stereotypically we expect females
to be hardworking, likes shopping, perfect, make-up, clean and classy. The
males tend to act like the alpha male, strong, have high paid jobs, and into
football and rugby. There are six characters that I am going to analyse and
feed back on their behaviour and appearance and whether I think it will fit in
with the stereotypical type of male and female.
The shop we first see is obviously designer, as we can tell
that there are not many items and looks really well made dresses. Therefore we
expect the type of customer to be a rich, classy female who knows what they
want in life. Whereas in the men’s club we expect to see the men laughing,
drinking, smoking and joking.
Once the older lady scurries out, the camera immediately goes
to the other lady in shop, called Sarah, who is part of the scandal which is
about to take place. The camera starts on her ring, a huge diamond wedding ring.
This portrays wealth, and the shop assistant skips over to her almost as if he
is excited.
The next scene is presented with a ‘wipe’ editing technique,
and the sound effects to go with it. This links to the idea that she is in a
changing room. The shot is over the shoulder and mirrored so that the audience
can see the back of the dress with the crystals and the reaction that the dress
provides. I noticed that there was a slight drum roll after the shop assistant
reveals the price, as to whether she was going to buy the dress or not.
On the other hand we are introduced to some more characters,
which are in a different setting, of a men’s club with no females. The
surroundings are darker in colours, there is smoking and drinking occurring and
it isn’t very well lit. We see an older American man who would be
stereotypically be classed as ‘posh’ as he was dressed well, with a silk handkerchief
in his pocket. We later on realise that the well dressed man is trying to con
the other man, who is dressed in all black, and looks too scruffy to be in the
men’s club. The American man is getting the scruffy man drunk in order for the
con to take place smoothly.
Monday, 12 November 2012
Prometheus Marketing
Ford (AS) Media: Prometheus Marketing: Click on the image above to go to the Forbes article on the marketing of Prometheus.
Ford (AS) Media: Prometheus Marketing 2
Ford (AS) Media: Prometheus Marketing 2: Click the image above for another site on the marketing of Prometheus.
How is DISABILITY represented in the clip from 'A Touch of Frost'?
Whenever there is a disabled actor on television, us as an audience reacts in different ways. Some could feel uncomfortable watching them, some may not be fazed by the disability and some may feel sorrow for them. The audience are affected in different ways, usually based on the severity of the disability. Using a disabled actor can create a really powerful atmosphere within the TV Drama.
I am analysing the TV drama, ‘A touch Of Frost’, the character in this extract is Billy, who has Down syndrome. As we can see in the clip, police are looking for a girl named Trisha, and they believe that Billy may have something, or knows something about what has happened to the girl.
The next scene is the inspector and Billy’s father talking in the hallway they are speaking in hush toned voices, and with a high angle shot, the camera looks shifty, as if the audience are eaves dropping into the conversation. The inspector says that Billy is ‘Mentally Subnormal’ which nowadays would be a derogatory term, but his father corrects the inspector and says that he is ‘handicapped’ which in my opinion is still offensive. Billy is treated as abnormal and therefore he is treated like a five year old. The inspector wants Billy’s father to come into the room with him, in case Frost does anything wrong or as he said ‘break any rules’. This scene is quite intense as it portrays innocence on Billy but also shows that he has no authority or power to have a say in this case.
When Frost enters the room he is shadowed, and Billy is still well lit, like the woods scene. This could suggest that Frost is a bad and evil character who is quite mysterious. Whereas Billy looks angelic and quite yellow lit, with strikes of innocence again, with the prominent cuts and grazes to his face.
Billy’s father is sat behind him, like he is protecting Billy, But Billy is still sat lower than the others. This gives the impression that he is vulnerable, and that he is in the wrong.
In addition to the high angle shot, Frost looks down on Billy. He starts talking to Billy in a condescending and patronising way implying that Billy is an outsider and almost seems pitied by him. Billy pleads his innocence, but Frost becomes frustrated that Billy isn’t listening to him and not participating with any of the questions and shows all the signs of his mood, such as raised eyebrows and deep sighs.
The editing is different to some other TV dramas, as this one isn’t fast pace, and made out of jump shots, but of quite a slow pace, which creates even more tension, and is more effective than jump shots. It leaves the audience longer to think about what has happened and to really sink in Billy’s character.
Overall the audience feels a slight confusion towards the situation as some may think Billy is innocent because of his disability but some could feel that he is guilty because of the mysteriousness that is occurring and the secretiveness.
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